Mamyia 645 PRO TL, Horizon S3Pro - MC ARSAT 28mm f:2.8, Nikon F90x with MB10, Nikon D800, Nikon D700, Nikon D7000
Sigma Lens 14mm AF (f:3.5), Nikkor Lens 17-35mm AF-S D-ED (f:2.8), Nikkor Lens 20mm D (f:2.8), Nikkor Lens 50mm D (f:1.4)
Nikkor Lens 50mm D (f:1.8), Nikkor Lens 80-200mm IF ED (f:2.8),
Mamiya 645 Pro Lens Macro A 1:4 F:120mm M, Mamiya 645 Pro Lens Sekor F:80mm 1:2.8 N, Mamiya 645 Pro Lens Seiko A 1:3.8 F:150mm N/L, Mamiya Sekor Reflex C 1:8, f:500mm, MC ARSAT (Zodiak 8) 3.0/30mm FishEye, Carl Zeiss Jena - Sonnar 180mm f:2.8
Studio Multiblitz Walser 600W CY-K & Dynaphos Pro and studio accesoriers.
Ulubiona tematyka:
Good pictures
Biografia / Motto
Współpracuję z Dreamstime.com Na Wyłączność (Exclusive).
Artysta Tygodnia w dniach: July 19, 2011 and July 26, 2011.
Who are you photography?
Why such question? Otherwise how? How could I talk to the light? I am trying to plunge into its world and bring it to the surface under the shape of letters. What an impossible mission has been assigned to me. It is as if I would rudely and constantly rummage the mystery of the infinite man. But...do you remember the shooting starts? ...well, knead infinite stars in your palm and then, as genuinely as a child, throw them back into the universe. Men and worlds will emerg...
Współpracuję z Dreamstime.com Na Wyłączność (Exclusive).
Artysta Tygodnia w dniach: July 19, 2011 and July 26, 2011.
Who are you photography?
Why such question? Otherwise how? How could I talk to the light? I am trying to plunge into its world and bring it to the surface under the shape of letters. What an impossible mission has been assigned to me. It is as if I would rudely and constantly rummage the mystery of the infinite man. But...do you remember the shooting starts? ...well, knead infinite stars in your palm and then, as genuinely as a child, throw them back into the universe. Men and worlds will emerge. Somewhere out there, a tiny bit of light is my world and the light within it.
Through light, all things have shape and enhance effect. Light reveals itself to me and I am surprised. I do not believe in shapes and colors. . . . I do not even know if they truly exist. I do not believe in the moral of shapes, I do not believe in the moral of lightless words, I do not believe that . . . I do not believe that light is ultimate or absolute . . . I press the shutter towards infinite worlds . . . (even my world), and they all fall mingled through the child's fingers and they settle plainly on the silverish forever. A soulful image. I close the shutter . . . darkness in the hand of the lightless child.
Wondering what all this has got to do with photography?
This is how I feel it.
This is my creed . . . ABOUT LIGHT.
